THE SAMUEL DORSKY SYMPOSIUM
ON PUBLIC MONUMENTS

The Eighteenth Annual Tribute to Rudolf Wittkower
Presented by
THE MONUMENTS CONSERVANCY
PLACE:

TIME & LIFE BUILDING
Rockefeller Center
1271 Avenue of the Americas (at 50th street)
HENRY LUCE ROOM, 2ND FLOOR
New York City

DATE: FRIDAY, MARCH 21, 2008
TIME: 8:30 A.M. TO 6:00 P.M.
ADMISSION: FREE.
R.S.V.P. (212) 764-5645 ext 10
E-MAIL: Symposium@NationalSculpture.org

 

REMEMBERING JAMES AND DARMA BECK


This year, students, colleagues and friends will gather to pay homage to Professor James Beck and his wife, Darma. The couple touched many lives, and today’s speakers celebrate their vision of art and life.

James Beck was born in New Rochelle, New York in 1930. After graduating from Oberlin College in 1952 he began to study painting, first at New York University and then at the Academia di Belle Arti in Florence. After stints teaching in Tuscaloosa, Alabama, and Arizona State University, he returned to New York and went to Columbia to obtain his doctorate. He wrote his dissertation on the sculpture of Jacopo della Quercia under the supervision of Rudolf Wittkower, receiving his PhD in 1963. By 1972 he was Professor of Italian Renaissance painting and sculpture at Columbia and spent the remainder of his career there.

An art historian specializing in the Italian Renaissance, Beck was known for his disparagement of many high-profile restorations and reattribution of artworks, which led to his founding ArtWatch International in 1992 to campaign against irresponsible practices in the art world. He was especially critical of the restoration of Jacopo’s effigy of Ilaria del Carretto in Lucca Cathedral, the cleaning of Michelangelo’s Sistine Chapel frescoes, and the attribution of the Stroganoff Madonna to Duccio.

In 1993, with Michael Daley, British journalist, sculptor, illustrator, and UK Director of ArtWatch, Professor Beck co-authored Art Restoration: The Culture, the Business and the Scandal, “…inquiring into the social, cultural, and increasingly commercial factors that underlie the spate of restorations that have produced what amounts to a restoration establishment with its own networks, priorities, and interests.”

In 1955, during his student days in Florence, he met his future wife, Darma Tercinod, while on vacation in Paris. She was a native of Aosta, Italy, and grew up to be an elementary school teacher. They married in April of 1956. In 1971, the Becks moved to Scarsdale where she began working at Casa Italiana as administrative assistant to the director, arranging events and developing the Italian cinema program. In addition, she worked with Giovanni Sartori, a political scientist for whom she translated texts, and assisted Professor Maristella Lorch with her Continuing Education program.
The husband and wife spent their summers in Italy, where Jim could pursue research and Darma could spend time with her family. In 1989 they bought a house in Tuscany where they spent half of May, June, and July each year. James and Darma Beck both died in May of 2007. (more)

Each year, the Symposium honors Professor Rudolf Wittkower, whose work and spirit of collaborative inquiry became not only, as Professor Beck noted, “a standard for the finest art historical scholarship of the entire 20th century,” but also for the third millennium.

The Monuments Conservancy will also take the opportunity to present the ninth annual Perennial Wisdom Award, given to each of the symposium’s participants and people whose work perpetuates the beliefs, habits, and ties that are the foundations of a moral and stable society.

Founded in 1991 by Donald M. Reynolds on the 20th anniversary of Rudolf Wittkower’s death, these events are made possible through the generosity of the late Samuel Dorsky and the Dorsky Foundation.

* * *

THE SAMUEL DORSKY SYMPOSIUM
ON PUBLIC MONUMENTS
PROGRAM

LIST OF SPEAKERS AT 2008 SAMUEL DORSKY SYMPOSIUM

DONALD M. REYNOLDS, Director, The Monuments Conservancy, New York City

MARISTELLA LORCH, Professor Emerita of Italian and Renaissance and Medieval Studies,
Columbia University, New York City

INGRID ROSSELLINI, Italian Studies historian and independent scholar, New York City

ELINOR RICHTER, Professor of Art History, Hunter College and CUNY Graduate Center,
New York City

EVELYN COHEN, art historian and independent scholar, New York City

ANNA SPIRO, art historian and independent scholar, New York City

HELLMUT WOHL, Professor of Art History Emeritus, Boston University, Boston, MA

ANGELA FALCO HOWARD, Professor of Art History, Rutgers University, New Brunswick, NJ

MARY EDWARDS, Adjunct Professor of Art History, Pratt Institute, Brooklyn, NY

GAIL ARONOW, art historian and independent scholar, New York City

VIVIAN GORDON, art historian and Lecturer, Education Dept, Metropolitan Museum of Art NY

PERRY BROOKS, Adjunct Asst. Professor of Art History, Brooklyn College, Brooklyn, NY

PELLEGRINO D’ACIERNO, Professor of Comparative Literature and Distinguished Professor of
Italian Studies, Hofstra University, Hempstead, NY

N.B.: A brief question-and-answer period follows each talk. The panel discussion is open to questions and comments from the audience.

**Founded by Donald M. Reynolds in 1991, on the twentieth anniversary of the death of the renowned art historian Rudolf Wittkower, the symposium is made possible by the generosity of the late Samuel Dorsky, in whose honor it is named. Held annually on, or near, the first day of spring, symbolic of regeneration, the symposium is funded by the Dorsky Foundation.

***The Perennial Wisdom Medal, created in 1999, is presented to each participant in the symposium as an interpreter of perennial wisdom to an unstable world. The medal was fashioned by the celebrated sculptor Eugene Daub and cast in bronze. The obverse bears a profile likeness of the Latin poet Horace, the words “"Exegi monumentum aere perennius"” (“I have completed a monument more lasting than bronze,” from his three volumes of odes, published in 23 BC), “"XXIII BC,"” “"The Monuments Conservancy,"” and the sculptor's name. On the reverse, the names of Rudolf Wittkower and Samuel Dorsky flank the inscription, “"Interpreter of Perennial Wisdom,"” which is accented by a perennial bloom. Produced and patinated this year by Andrew Pitynski, sculptor.

The Wise Man Preserves That Which He Values And Celebrates That Which He Preserves